Nobody is perfect. How often have you been talking with friends
and somehow mispronounce a word you’ve said a million times before? Or how often have you had to sneeze while on
a date? Stuff like that happens in
reality all the time. But we rarely see
it in fiction.
If you’re watching a
movie and a character mispronounces a word, nine times out of ten it’s to show
that they’re nervous. Probably while
asking out their crush. And if anyone
sneezes, it’s for some plot reason, like they’re trying to hide from the bad
guys. The main reason for this, in my
opinion, is for … who knows how long writers have been told that if some scene,
or bit of exposition, or dialogue doesn’t advance the plot, it should be
cut. On one hand this is good advice,
because if you spent page after page describing in detail a character getting
in their car and driving twenty minutes to work, it would be extremely
boring. But on the other hand, after
reading hundreds of stories where EVERYTHING IS IMPORTANT, readers have been
trained to expect EVERYTHING TO BE IMPORTANT.
And realistic flubs and sneezes don’t advance the story.
Having characters flub
lines or whatever can be useful in writing, other than showing they’re nervous. I can imagine a story where a character makes
three or four flubs. At first the reader
wonders why the writer included them when they are of no importance. But when they can’t figure it out, they may
chalk it up to just an odd writing style.
So when the next plot heavy flub happens, they just read by it and don’t
think anything about it. And when they do
realize there was a plot reason for the latest flub, they may go back and
reread the story to find the reasons for the earlier flubs. Of course, as with every writing trick, there
is risk in this. A reader may decide
they don’t care for this odd writing style, or they may get disillusioned when
they can’t find a plot reason for every flub.
The origin of this post
is a random scene I half-remember in a book I read maybe thirty years ago. A character did a very realistic thing that
served no purpose to the story. And I
was left wondering why did the author bother to write that. At least, if there was a purpose for it, my
teenage self didn’t pick up on it. Over
the years I’ve often thought I should reread the book, just so I can find this
scene and figure out the meaning behind it.
But it’s never been a priority, and I admit I’m a tad afraid that if I
did reread the book, I’d find the scene and realize there was an obvious reason
for it, but I was too stupid to figure it out.
Having something THAT’S
NOT IMPORTANT in your story may make your story memorable. But it can also make the reader wonder why
the writer is wasting their time with something that’s not important. It’s an interesting trick, but one that
should probably be used very rarely.
***
Image from Pixabay.
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